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TOOLS OF THE TRADE

June 9, 2008

A few years back, my friend, fellow illustrator/storyboard artist Todd Harris offered me the term, “paper’s for chumps!” He was referring to doing art work on paper ; drawing on it with a pencil or pen, scanning the work, getting approvals from a director, and then doing FINISHES, scanning those, and THEN saving/emailing/printing the finished work. Oh, and as nothing is “finished” in film, like when the director changes their mind, and you have to RE-DRAW everything.Todd works on a Wacom tablet. It comes in a 4 by 6 or 6 by 8 size. A USB cable connects it to your computer. Using a special pen that comes with the tablet, you look at your computer screen, while keeping the pen on the tablet, drawing whatever you need to. The image you are drawing appears on the computer screen, or an attached monitor. What this does is that you can save time by not scanning. Everything goes directly into your computer. If you need to make a change (you need to be working in a program like Photoshop, Painter, or Illustrator) you can make the change you need to and instantly save it.When I was working on FAST AND FURIOUS: TOKYO DRIFT, my storyboard teammates Darrin and Jim hipped me on to Wacom’s CINTIQ, which we saw at a demonstration. Film Blog, Warren Drummond, The Storyboard Artists, Wacom Tablet, Working at ComputerA Cintiq is a monitor that hooks up to your computer. Instead of drawing on a tablet and looking at a separate screen (I can’t handle the dis-connect), you draw ON the monitor, as if you were drawing on a desk with a piece of paper. It replicates the angle and feel of regular drawing, while still getting you away from scanning. Many artists, like production illustrators Doug Chiang or Ryan Church do color paintings digitally. I mainly use it for black and white work. These guys are also brilliant artists with a digital brush or live brush. It just takes time to make the get used to the medium. One can certainly send digital art to clients in all stages and make changes.This is great for the commercial field. Fine artists need not apply.The difference is that a Cintique or even a Wacom tablet lack the “teeth” that paper has, and even when you are coloring, a Wacom pen is not the same as using an actual brush. This all has to do with “feeling” as you do your work. All in all, the Cintiq or tablet do offer advantages as well as disadvantages. As a commercial artist, digital lets me deal with my clients at the speed they are getting used to having and getting information.

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Comments

2 Responses to “TOOLS OF THE TRADE”

  1. Burrell on June 11th, 2008 7:50 pm

    We are being out fitted at the office to go digital. It’s cool but I prefer the old fashion way of pen and paper. Brush and board or canvas over all this.

  2. warren on June 16th, 2008 6:29 pm

    Hi Warren,

    Stumbled across the blog and this is fun to read!

    If you have a Wacom tablet in the studio, hang on to it. If you ever injure your drawing shoulder and can’t raise your arm to the right height for the Cintiq, you can always use the tablet and still deliver if you have to. I was the same, I couldn’t get used to the disconnect so I got a Cintiq, but my disconnected arm made things change fast.

    I dislocated my drawing shoulder playing a harmless game of soccer (I know, i know, you don’t use your arms in soccer) and the tablet came in handy. Couldn’t use the Cintiq for the life of me because my arm was in a sling! The tablet helped me remain employed during what looks like will be 6 weeks of recovery. Just slap that baby flat on the desk and you’re working again.

    Cheers,
    ~ w.

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