The Casting Director - Pick yourself up and dry yourself off, and start all over again…
May 31, 2010
I am going to be totally honest here: the last three months have sucked balls. I have been casting a feature film and putting together an amazing cast, when all of a sudden the money stopped coming in, meaning my paychecks were not regular and excuses from the Producer were being made left and right. Promises from the Producer, telling me to my face that I was going to get paid and not to worry and everything was fine. Ummm…still haven’t been paid. I have been told that the money will be there by the end of July. I’ll let you know how that turns out! I have been through this more times then I care to remember and I could kill myself, because I know all of the warning signs, but still, I pretend to myself to be as shocked as ever, which is probably a defense mechanism that keeps me from offing myself when stuff like this happens to me. Never once was I asked to stop working. Why can’t they just say at the time, “look this is going nowhere fast,” or “we started to early.” Are you still a Producer if you can’t actually produce…anything? If you are still working, shouldn’t you get paid?
Let me explain: When I get hired to cast a film, it is not the most important thing to be fully financed. But it is important to be able to pay me, because, I AM WORKING. Not for fun, not because I LOVE PUTTING ON A SHOW (a la Judy Garland and Mickey Rooney), no it’s because the Producer believes that in an appropriate amount of time, between auditions and making offers to actors that the money that will be available for production will actually be available for the production. Not a difficult concept to master. I get that casting and producing a film can be a chicken and egg thing. Agents, managers and actors fundamentally get that financing for indie films is partly an art, a mathematical equation, business finesse and there is always a risk when putting a film together. I have pretty much seen all variations of this, after all, I do work in independent film and it doesn’t always work out the way you want it to, but in this one scenario it is vital to not be a big fat liar and to not pretend and it is not a time for ones giant ego to get in the way. Honesty is ALWAYS the best policy when dealing with agents, managers and talent. Letting them know where you are in the financing process is vital, because at no time will you ever be accused of misleading people. Actors, agents and managers must decide for themselves if they want to participate in the casting process. They decide if they like the script, the director, the writers, producers or the casting director and this directly effects how a film is put together. Without the power of a studio or distribution company behind you, indie film casting is ALL ABOUT RELATIONSHIPS. To that end, part of why I get hired is because I am a relationship builder (and of course I have amazing taste in actors :0) ). I am the PR agent for the film, and when I don’t get paid, I have been used and that is not cool. If you make an agreement with someone, you should really stick to that agreement, you look like an idiot if you don’t and no matter how big your ego is, you are still a douche-bag if you don’t fulfill your obligations…just sayin…
So as my bank account was dwindling and my patience running out, I reached out to my casting community. I am really lucky to know some amazing casting directors who have been doing this a lot longer then I have. It is embarrassing to admit that you are down and out. There is a lot of fear that any perception that things are not okay can make matters worse. By admitting that times are tough and shitty, you are admitting defeat. Well, that was what I thought for a few days (maybe a week or two and a few Xanex to help along the way. JUST TO TAKE THE EDGE OFF-don’t judge!) and I let myself wallow in the world of my own self-pity, but then I got bored. I am a Casting Director, I need to cast, I need to work and I had to figure things out, quickly. So I reached out to my colleagues who have been doing this a lot longer then I have (I like to think of them in a mentor-ish way, as I truly respect so much of what they do and have accomplished). When I talked to them and shared my experiences with a few of them and then get a look back like “been there, done that,” I actually feel encouraged. Reaching out, I was able to get referrals from my colleagues who were busy on other projects. Emotionally, I was able to off-load some of the stress I had been taking on. It was very warming on the inside to feel that there were people who cared about what I was going through and it will never be lost on me that the way forward is to pay it back. So, because of the generosity of others and a bit of hustling on my own to stir up work, I am now busy, really busy, but good busy and this summer looks like it will be a successful one for me.
Also, I took the time to put together a reel of my work. I was approached by Speedreels, a company based in the building I have an office in, to put together a reel, much like an actor does. This reel can be like a calling card and a way to introduce Producers and Directors to the work I have done. Going through the material I cast, all sixty hours of it, and reducing it to 3 minutes was cathartic and emotionally intense for me. I truly love some of the work I have done and been involved with and I hope that shows on the reel.
Go to: www.speedreels.com and enter my name (Matthew Lessall)
Or my website: www.lessallcasting.com
This month, I am looking forward to seeing the premier of a film I cast at the LA Film Festival. It is called, THE WHEELER BOYS and if you have a chance, go see it! Tickets are on sale now and the film stars, Alex Frost, Portia Doubleday, Bill Campbell and some amazing young talent not seen before. The script won a grant from a writing competition sponsored by Netflix and Film Independent and was shot on a very low budget, so it will be exciting to see how it turns out!
You have to believe in yourself to make anything happen. Working for yourself and not having a paycheck come in on a weekly basis because you (me) have chosen to be independent and self-employed, is challenging. But I know both sides (after all I have been doing this for over ten years) to this and I think in the end, I am happy where I am right now. I know I want more and maybe this will involve working with or for someone else and if that happens I want it to be happening because I will be moving forward and growing professionally, not because I am settling, because the option is safer for me.
My Grandfather was the man who gave me my independent streak. He was a very successful lawyer who, throughout his life relied on the kindness of others, treated others with respect, was a self-starter and created his own law firm and paid his community back many fold. He was strong, logical and the most thoughtful man I have ever known. He trusted the word and promises of others. To him a man (or woman’s) word was as good as a contract in writing. I think about him and his advice he would give me if I were ever in a situation like the one I was in over the past few months. I hope, in the end, he would approve of the way things have turned out and where I am going with my life…
I think he would…
Tags: Movie Theatre, Movie, Film Industry, Actor,
The Standby Painter - Solitude at the Next Set
May 24, 2010
A long day today, all of it spent painting, although not on set. I have been fixing up the house next door to today’s set, readying it for when we move back here tomorrow. I have been listening in on my radio, though, the rhythm of the first AD and …
Tags: Oscars, Movie Bloggers, Movie, Film Industry, Filmmaker
The Manager - Picking A Film/TV/Media Partner: It’s More Important Than You Realize
May 21, 2010
One of the most important parts of the film/tv/media process is picking a partner. In most cases you will team up with someone to produce a project or, if you are a writer, sometimes you will team up on a project together. And if you are a director, you will most certainly be partnering with a producer.
And choosing the right one is crucial to a successful endeavor. So how do you pick the right person?
To be honest, a lot of it is instinct. Similar to a first date, is there any chemistry with the person (and I am not just talking about physical chemistry)?
Do you like the person? Could you imagine spending days and days together, hours upon hours, without wanting to kill each other?
If it is a more established producer, how does he/she treat a younger producer? Is the producer inclusive or exclusive? Does he/she listen to your ideas?
Does he/she create drama just for drama’s sake? When the going gets tough, does the producer roll up his/her sleeves or turn tail and run?
Besides relying on instinct, do your research: Talk to people they have worked with and learn how they acted.
Also, keep a close eye on how the person was in the the beginning of the process. If he/she treats you well before production starts you are probably in a good place. If he/she is difficult in pre-production or the negotiating stages (or, if you are a writer, in the spit-balling stage) you are most likely in trouble.
Remember finding the perfect partner is like dating — a bit of trial and error. But you should also do some reference checks before you take the plunge!
Tags: Director, Movie Blog, Television, Actor, Movie Theatre
The Independent Filmmaker - TOUCH at Cannes
May 19, 2010
Writing to you jetlagged from a friend’s couch in England, I’m looking forward to hitting the ground running in Cannes later today. On the agenda is starting the search for a producer and about two million buckaroos for my feature, KELLY & CAL, watching TOUCH screen at the American Pavilion Emerging Filmmaker Showcase and just generally enjoying the sun, sea and sights while drinking wine and eating cheese.
If readers find themselves at Cannes please come check out TOUCH.
Thursday, May 20th at 4:30pm at the American Pavilion in the Roger Ebert Center or at your convenience at the Short Film Corner in the American Pavilion section.
Tags: Hollywood, Actor, Movie Bloggers, Director, Movie Theatre
The Standby Painter - The Bridge That Never Was
May 19, 2010
One day into shooting this latest show, a sweetly inspiring TV movie, and I have been laid low, driven down to the depths of desolation by the dreaded Sorry Syndrome. I’ve mentioned this debilitating constellation of negativities in earlier posts, giving it a name (for which I intend to …
Tags: Film, Film Blog, Movie, , Actor
The Genre Director - GEORGE A. ROMERO’S LATEST MOVIE: Wry humor, social allegory, female masturbation, exploding heads…What’s not to like?
May 19, 2010
Magnolia’s bright spark Arianne Ayers invited me to the Los Angeles premiere of George Romero’s SURVIVAL OF THE DEAD. George has been a horror auteur for 42 years and is still going strong. We have met a couple of times on the festival circuit, so I was eagerly awaiting his next chapter on the apocalypse. Here’s George introducing the redband trailer.
www.youtube.com/watch?v=nlgemQmCsu0
As a practitioner of tightly budgeted genre myself, I consider SURVIVAL OF THE DEAD a bang-up job. This time George gene-splices Zombieland with The Hatfields vs.The McCoys, enabling him to riff on human folly and the senselessness of war, with wry humor, social allegory, female masturbation and exploding heads…What’s not to like?
What’s more, it has one of Canada’s finest actors Kenneth Welsh ( I had the pleasure of directing him in ESCAPE CLAUSE) who channels a bunch of Sean O’Casey characters into the vengeful, manipulative, bastard-paterfamilias you can’t help liking.
George enjoys confronting his audience with uncomfortable moral quandaries when the normal has been replaced by the unthinkable. The more overt comedic tone of his approach this time may be the source of disappointment in some of the reviews I have read. In fact, I think George has actually broadened his audience by ramping up the laughs.
But he does not neglect the boo, yuk, and shiver moments, which are greatly aided by a dynamic score from Robert Carli, a Canadian composer who will, I predict, get a big Hollywood assignment, based on his work here.
SURVIVAL OF THE DEAD is a fun ride when experienced on the big screen with a full house that gets it, as they did at the premiere. And Great Cannibalism, George! What about when they ate the whole….well, you’ll have to see the movie.
Tags: Movie Blog, Film Blog, Movie, Actor, Film Industry
The Standby Painter - A Short Update
May 6, 2010
Just a short note to let you know that I have been away on a road trip, and then I jumped aboard the show I have been trying for, and it has been a crazy ride so far. Monday I will be back with news from the front, and stories …
Tags: Film Blog, Film Industry, Movie, , Movie Blog
The Genre Director - Hey, Arizona, don’t fuck with this Mexican.
May 5, 2010
He’s got some Cinquo De Mayo words for you!
If you haven’t seen it already, here’s a link to Harry Knowles exclusive post of a special MACHETE trailer. Utterly amazing! Thank you, Harry.
http://www.aintitcool.com/node/44943
The Seventies are back, if last night’s crowded screening of TURKEY SHOOT is any indication. They totally got it. The New Beverly Cinema will also be bringing back my STUNT ROCK for a midnight show on June 11th. Mark your dance card…
Tags: Film Blog, Movie Bloggers, Hollywood, Movie Theatre, Oscars
The Background Actor - Quirky little shoots
May 2, 2010
My background acting career began on the East Coast and 95% of my jobs back there were major studio feature films. From the James Bond film, Licence to Kill, to the extraordinarily bad Burt Reynolds movie Cop and A Half, I’ve spent lots of time as …
Tags: Movie Bloggers, Film Industry, Film, Movie Blog, Television






